By Adele Marie Barker, Jehanne M. Gheith
A background of Women's Writing in Russia strains comprehensively the lives and works of Russia's girls writers from the center a long time to the current. members have addressed the customarily awesome contexts in which women's writing has been produced. Chapters show a flourishing literary culture the place none was once notion to exist, taking a look at how Russia's girls writers articulated their very own adventure, and re-assesing their dating to the dominant male culture. the amount is supported through large reference positive factors together with a bibliography and consultant to writers and their works.
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Extra info for A History of Women's Writing in Russia
Likhachev and I. P. 1 Furthermore, the absence of women writers in the medieval period and a preponderance of ecclesiastical female stereotypes have encouraged primarily historically based analysis, to the detriment of the literary portrait. No work of literature written by a woman has come down to us; indeed, it was very rare for women to be literate as access to education was denied to them. In the cases where aristocratic ladies were taught to read, this was solely for devotional purposes such as reading of the Holy Scriptures and life-stories of the Orthodox saints.
In our schema, this act of claiming byt as the material of poetry becomes a social act, one that expands traditional notions of what constitutes social engagement in literature and leads to a re-evaluation of Russian women writers as being socially and politically unengaged. Although this volume provides extensive coverage of the history of women’s writing in Russia, we recognize that much still remains to be done. Much of the research reflected on these pages is still in its incipient stages. Often the work of recovery has been complicated by the difficulty of establishing such basic facts as bibliography, for such information is 13 14 ADELE MARIE BARKER AND JEHANNE M GHEITH not always readily available for women writers.
In Nestor’s revered twelfth-century saint’s life Zhitie Feodosiia Pecherskogo (Life of Feodosii of the [Kievan] Caves), she is portrayed as an overpoweringly strong character of the negative type: determined to prevent her son from entering a monastery, she beats and abuses him mercilessly, attempting to break his religious resolve. A masculine, monster-like harridan, she must surely embody many of the clergy’s worst apprehensions about women, and only when she takes the veil is she finally brought under control.
A History of Women's Writing in Russia by Adele Marie Barker, Jehanne M. Gheith