By Dennis Curtin
Very informative, effortless to appreciate with loads of information regarding my digicam. more than enough that I ordered one other brief direction ebook approximately my Canon G 10 digital camera. it might be great if the publication used to be in colour yet this can be treated with the DVD that includes the ebook.
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Extra info for A Short Course in Canon EOS 40D Photography book/ebook
Speeds faster than 1 second are fractions of a second. A quotation mark (”) indicates a decimal point. 3 seconds is displayed as 0”3. At shutter speeds of 1/4 second and higher, only the denominator is shown and no quote marks are used. For example, 1/4000 is shown as 4000. • Speeds of 1 second or slower are whole seconds and are shown as numbers with quotation marks (”). For example, 2 seconds is displayed as 2”. The Way It Was: Early Shutter Designs The shutter, used to control the amount of time that light exposes the image sensor, has changed considerably over the years.
Exposure Compensation Exposure compensation lets you lighten or darken the photograph that the camera would produce if autoexposure were used. To lighten a picture, you increase the exposure; to darken one, you decrease the exposure. ” For example, to increase the exposure 1 stop, you specify +1 to open the aperture or slow down the shutter speed. It’s easy to use exposure compensation because you can immediately see the effects when you review or playback an image. An exposure scale shows you how much you are under (-) or over (+) exposed.
The effects of those changes on motion blur and depth of field would be very noticeable. • For fast-moving subjects you need a fast shutter speed to freeze it, or a slow one to blur it (although the focal length of the lens you are using, the closeness of the subject, and the direction in which it’s moving also affect how motion is portrayed). When photographing moving subjects shutter-priority (Tv) mode (page 40) is favored because it gives you direct control over the shutter speed. • For maximum depth of field, with the entire scene sharp from near to far, you need a small aperture, and for shallow depth of field you need a large one (although the focal length of the lens and the distance to the subject also affects depth of field).
A Short Course in Canon EOS 40D Photography book/ebook by Dennis Curtin