By Alice Miller
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Additional resources for Am Anfang war Erziehung
The mere fact of being in a room already modifies the chemical composition of the air breathed by its occupants. Likewise, any change in the medium in which they are immersed influences both patient and analyst, even if the change is coincidental and peripheral to the points of concentration of the system of forces in the field that correspond to the two subjectivities involved. If a cellphone rings, the field is modified. The modification is even greater after a significant exchange in the analytic dialogue.
Recently while visiting the Cézanne exhibition at Milan’s Royal Palace, at some point I had a kind of epiphany: that’s how he does it! His apples are not motionless on the canvas but they move! Seeing is believing. They move! This was a way of understanding Cézanne and containing the anxiety of not understanding. 32 T H E A N A LY T I C F I E L D A N D I T S T R A N S F O R M AT I O N S But even in analysis, and when we write about analysis, the characters must move (and must move us), they must live, they must impress us as if they were not made of paper but of flesh.
Yet he is still leaving something “alive”; he is not eliminating everything. Lucio confirms my interpretation, telling me of some episodes from his childhood in which, so as not to upset his parents, he always avoided any “friction” with his classmates, in what was, in fact, a pretty turbulent class. In the same session, he makes a slip, when he tells me of his “fear of not being able to stop” (he meant to say the opposite), and then wonders whether he should see himself as a bull dressed up as an ox or an ox dressed up as a bull.
Am Anfang war Erziehung by Alice Miller