By Elizabeth Langland
A learn of Anne Bronte facing her existence and affects, this article varieties a part of a chain that is designed to aid within the reassessment of women's writing within the mild of contemporary realizing.
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Additional info for Anne Brontë: The Other One
As alien as this 'rational' approach to affairs of the heart was to Charlotte, it was just as clearly reasonable, if not always attainable, to Anne. Like Austen, Anne felt that the feelings should not approve a match at which the mind revolted. " None of these writers could have hailed Mary Wollstonecraft as a progenitor because of the scandal that erupted upon Godwin's publication of his Memoirs of the Author of A Vindication of the Rights of Woman and of Wollstonecraft's letters to Gilbert Imlay.
But what George Moore did not note, and no subsequent critic has remarked, is that Charlotte felt threatened by her sister's novel and its truths. I find it ironic that W. S. Williams, the reader for Charlotte 's publishers, was immediately struck by the resemblance between Huntingdon (The Tenant's hero) and Rochester (Jane Eyre's hero) and wrote to Charlotte to that effect. She responded emphatically: INFLUENCES 51 You say Mr. Huntingdon reminds you of Mr. Rochester. Does he? Yet there is no likeness between the two: the foundation of each character is entirely different .
Johnson's Rasselas is an apologue designed to point out the impossibility of earthly happiness: its scenes and characters are generalised. Its representation of reality is subordinated to a didactic intent. In contrast , Bronte's themes are subordinated to the reality of presentation. 'T ruth' of representation was always Anne's goal, and verisimilitude justified the depiction of sordid individuals and events in The Tenant: 'For truth always conveys its own moral to those who are able to receive it' (TWH 29).
Anne Brontë: The Other One by Elizabeth Langland