By Parveen Adams
All of the members addresses the theoretical questions via pursuing a distinct inventive challenge, together with a detailed examine the relation among the picture and the article in Hitchcock's Vertigo, the sexual aesthetics of Caravaggio, the inventive pen of Barthes, and the way Cronenberg's movie Crash capabilities as a sinthome.
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Additional resources for Art: Sublimation or Sympton
She is erased i n the name of r e p r o d u c i n g Madeleine, w h o yet was no one else. She is trapped i n a story that can be neither undone nor abandoned. Ill T h i s relation of the loss of the image and the image of loss is perhaps dramatized by the dead body. B l a n c h o t (1982) maintains that one property of the cadaver is that it is its o w n image: "It no longer enter 20 ART: SUBLIMATION OR SYMPTOM tains any relation w i t h this w o r l d , where it still appears, except that of an image, an obscure possibility, a shadow ever present behind the l i v i n g form w h i c h n o w far from separating itself from this form, trans forms it strictly into shadow" (p.
M o r e o v e r , i n r e c o g n i z i n g the series, the w h o l e issue of the image becomes foregrounded. It is precisely Judy's paradoxical failure to fit the image that lends the image an insistent but independent role i n this. It follows that the difference between the first film by itself and the spectator's reaction to the first film as the second unfolds s h o u l d entail a revision that i n turn s h o u l d be reflected i n the interpretation. Above a l l , such a revision w i l l challenge the terms of identification.
Just as art c o u l d never redeem or " m o u r n " the u n i m a g i n a b l e hor rors of A u s c h w i t z , equally for A d o r n o c o u l d it i n no sense abolish or reduce the intractable density of the h u m a n b o d y by s o m e h o w elevating it to a n o t i o n a l realm of pure, transparent spirituality. In deed, the agonized, suffering b o d y of the v i c t i m tortured i n the N a z i death camps emerges i n Negative Dialectics as the ultimate form of resistance to i d e a l i s m , a pure figure for the materialist refusal of ideological coercion.
Art: Sublimation or Sympton by Parveen Adams